Gave his lecture on the partnership in between human and animal physiognomies at the Royal Academy of Painting and Sculpture, in the existence of Colbert. The analogies between human and animal features, illustrated by a series of striking drawings, are the very best known aspect of the artist's theory, which he developed to include an interpretation of facial expressions a subject that intrigued him significantly. From passions to expressions After the publication of Descartes's Passions of the Soul (1649), Le Brun spoke to the Academy on several events in 1668 on the topic of General Expression and the Expression of Passions. He illustrated his lectures with a sequence of drawings in which he utilized horizontal traces to show the distortions of the human encounter (encounter on and in profile) under the affect of various feelings. In 1671, he gave a new lecture on physiognomy, the authentic of which is lost we know of a summary by Nivelon, digests by Testelin (1696) and E. Picart (1698), and a "dissertation" by Morel d'Arleux, printed as the introduction to his 1806 version of Le Brun's plates. Le Brun tackled 4 particular factors: the attributes of famous men of Antiquity and the partnership in between their facial attributes and their personalities human attributes in contrast to those of animals the eyes and the eyebrows and finally the human mind. The Louvre owns two albums that contains sac louis vuitton pas cher more than 250 comparative physiognomic drawings of human and animal faces. Dehumanized man, humanized animal Descartes had identified the pineal gland, located almost at the center of the mind, as the seat of the soul Le Brun therefore attached fantastic importance to the line of the eyes and eyebrows, and drew various conclusions based on whether it was directed upward towards the soul, or downward towards the nose and mouth, considered to signify the more animal elements of louis vuitton pas cher human character. Le Brun inferred human character and faculties and animal character from a geometric analysis of the construction of the head. The animals are drawn naturalistically, but with a lookup for expression that provides them "a marked element of human intelligence." The human attributes are "enlarged and distorted", the noses and mouths appear "precisely like muzzles. [But] every thing is serious, everything is calculated and diligently reasoned." (J. Baltruaitis, Aberrations. Essai sac a main louis vuitton pas cher sur la lgende des formes, Paris, 1983, p. He drew on numerous sources, including a famous treatise by Giovanni Battista della Porta (1535 1615) entitled De Humana Physiognomia (Naples, 1586, translated into French in 1655 1656), and the writings of naturalists this kind of as Conrad Gesner (1516 1565) and Ulisse Aldrovandi (1522 1605) these seminal works were to have a profound sac a main louis vuitton influence on 18th century theologian J. C. Lavater. The publication of Le Brun's physiognomic drawings in 1806 made them accessible to the general community they sparked specific interest, as facial and racial characteristics, the connections between people and animals, and psychiatry had been popular objects of study at that time. BEAUVAIS L.,